Albrecht Altdorfer
German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

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Albrecht Altdorfer Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz oil painting


Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz
c. 1509-1516 Oil on wood 128,5 x 94,3 cm cjr
Painting ID::  79580
Albrecht Altdorfer
Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz
c. 1509-1516 Oil on wood 128,5 x 94,3 cm cjr
   
   
     

Albrecht Altdorfer Kreuzigung Christi oil painting


Kreuzigung Christi
1526(1526) Oil on wood 28,7 x 20,8 cm cjr
Painting ID::  79600
Albrecht Altdorfer
Kreuzigung Christi
1526(1526) Oil on wood 28,7 x 20,8 cm cjr
   
   
     

Albrecht Altdorfer Rest on The Flight into Egypt oil painting


Rest on The Flight into Egypt
1510(1510) Oil on panel Height: 57 cm (22.4 in). Width: 38 cm (15 in). cjr
Painting ID::  79702
Albrecht Altdorfer
Rest on The Flight into Egypt
1510(1510) Oil on panel Height: 57 cm (22.4 in). Width: 38 cm (15 in). cjr
   
   
     

Albrecht Altdorfer Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz, rechter Innenflugel zur Passion Christi, Szenen: Kreuzigung, Detail oil painting


Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz, rechter Innenflugel zur Passion Christi, Szenen: Kreuzigung, Detail
c. 1509-1516 cjr
Painting ID::  79770
Albrecht Altdorfer
Sebastiansaltar des Augustiner-Chorherrenstifts St. Florian bei Linz, rechter Innenflugel zur Passion Christi, Szenen: Kreuzigung, Detail
c. 1509-1516 cjr
   
   
     

Albrecht Altdorfer Rest on The Flight into Egypt oil painting


Rest on The Flight into Egypt
1510(1510) Oil on panel cjr
Painting ID::  80006
Albrecht Altdorfer
Rest on The Flight into Egypt
1510(1510) Oil on panel cjr
   
   
     

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     Albrecht Altdorfer
     German 1480-1538 Albrecht Altdorfer Galleries He most often painted religious scenes, but is mainly famous as the first frequent painter of pure landscape, and also compositions dominated by their landscape. Taking and developing the landscape style of Lucas Cranach the Elder, he shows the hilly landscape of the Danube valley with thick forests of drooping and crumbling firs and larches hung with moss, and often dramatic colouring from a rising or setting sun. His Landscape with footbridge (National Gallery, London) of 1518-20 is claimed to be the first pure landscape in oil. He also made many fine finished drawings, mostly landscapes, in pen and watercolour. His best religious scenes are intense, sometimes verging on the expressionistic, and often depict moments of intimacy between Christ and his mother, or others. His most famous religious artwork is the The Legend of St. Sebastian and the Passion of Christ that decorated the altar in the St. Florian monastery in Linz, Austria. He often distorts perspective to subtle effect. His donor figures are often painted completely out of scale with the main scene, as in paintings of the previous centuries. He also painted some portraits; overall his painted oeuvre was not large.

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